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AD200 Pro Flash Review for Real Estate Photography

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AD200 Pro Flash Review for Real Estate Photography

The AD200 Pro by Godox is an absolute favorite amongst real estate photographers. I’ve used it personally for a number of years and have been extremely happy with it so far.

This article will go into a detailed review of the AD200 Pro flash for real estate photography. It includes a general working overview, a pros and cons list, and several sample images.

Table of Contents

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AD200 Pro Flash Review for Real Estate Photography: A General Overview

I’ve been using the AD200 Pro flash for real estate photography since 2019 and it has been a complete game changer for me.

As it currently stands, I find it hard to say that another flash is better for real estate photography when all factors are taken into account.

I choose to use 3 Pocket Wizard PlusX‘s to trigger the flash and camera shutter, but there are many options that you can choose from. I have one Pocket Wizard on my camera, one in my hand, and one attached to the AD200 Pro.

This set up works perfectly and I have never experienced an issue with misfires or failures.

I love using the AD200 Pro in combination with the Pocket Wizards because it offers an excellent wireless triggering option that makes my shoots go much faster.

AD200 Pro Flash

The AD200 Pro is extremely compact and has a battery that is lightning fast to charge. I carry around 2 batteries with me and have never been worried about the battery running out during a shoot.

Generally speaking, a full battery will last me 5 full shoots, depending on the size of the house obviously. Switching out the batteries is effortless as is charing them.

AD200 pro flash review real estate photography

The control panel on the back of the flash is extremely intuitive and only requires a short learning curve. If you already understand how to use a flash, then you likely won’t have any learning curve.

I set it to manual and simply twist the dial to increase or decrease the power of the flash.

Once you get used to using it, setting the flash power becomes second nature and you will only need to check your brightness a few times before you dial in the correct power for the rest of the shoot.

The Pros

The AD200 Pro has a lot of features that make it one of the top flashes used by professional real estate photographers.

1. Compact Size

Maybe the most impressive thing about the AD200 Pro is the compact size that it comes in. Other flashes that offer around the same power as the AD200 Pro (200 watts at full power, for the record)  are much larger and heavier.

I can carry it around in 1 hand and never feel like it’s too heavy. It’s listed at 1.3 pounds, so weight will never be an issue.

2. Powerful Enough for Most Homes

Rarely do I find that my AD200 Pro isn’t able to fully light a home. There are shoots where I will use it at full power, but most of the time I’m somewhere between 1/8 – 1/2 power.

At worst, I will use my AD200 Pro on full power and bump my ISO up a click or 2 if it’s a really large home. I find this much preferable to carrying around a heavier and larger flash.

3. Affordable

For such a powerful and compact flash, it’s actually very affordable. It’d be difficult to find a flash like the AD200 Pro for the same price.

You can check out the AD200 Pro’s price on Amazon by clicking here.

The Cons

There are a few factors that can be considered cons when talking about the AD200 Pro.

1. Power Switch Issues

By far the largest complaint is the consistent issue that pops up with the power switch. For whatever reason, a decent percentage of the on/off switches end up failing.

Now, while this is a big pain, I have to say that it’s actually quite a simple fix. You can send it in to Godox on warranty and they will fix it for you, pay a professional to fix it, or try to fit it yourself.

In my case, I have a father that’s a retired electrician and quite good with his hands. When my on/off switch failed, he took it apart and had it fixed up in an hour.

Apparently, it’s a pretty simple issue where, if it’s fixed properly, it doesn’t continue to reoccur. I haven’t had an issue since it was fixed the first time.

It’s definitely frustrating that it’s an issue in the first place, but when you consider all of the pros above, it’s more than acceptable, in my opinion at least. 

2. To Weak for Large Scale Commercial Photography

This is less of a con for those of you that are purely real estate photographers than it is for those that also do larger scale commercial photography.

If you need to light large areas (office spaces, warehouses, commercial real estate) you’ll need something with more power.

I get a solid amount of large scale commercial photography work and own a more powerful flash that I use for those jobs. With that being said, I still think it’s very worth it to own an AD200 Pro strictly for real estate photography.

Sample Images Using the AD200 Pro

Below you’ll see several RAW images where I’m using the AD200 Pro to light a shot.

I shoot using a flambient technique (learn more about that from our article Best Lighting for Real Estate Photography) and blend together several flash exposures in Photoshop.

You’ll see that the AD200 Pro offers up some beautiful light if you use it correctly. Whether you’re bouncing the flash off a white-ish ceiling or using a shoot through umbrella, the light is consistently impressive.

RAW Images

ad200 pro flash
AD200 Sample Image
ad200 pro flash sample image
AD200 Sample Image

Recommendations on the AD200 Pro for Real Estate Photography

If you are a real estate photographer and you are either looking to purchase a new flash or considering buying your first flash, I would highly recommend the AD200 Pro. You can see the AD200 Pro price on Amazon by clicking here.

As stated above, for the amount of power that you get from such a compact flash and being able to purchase it at such a reasonable price, it’s very easy to see why it’s such a favorite amongst real estate photographers.

There may be situations where you need a larger flash, but I can speak from experience that I rarely come across these situations. I photograph very large homes regularly and if I ever feel as though I need more power, I just increase my ISO slightly.

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About author
Matthew Digati is a professional Real Estate and Architectural Photographer. Matthew has worked as a Real Estate and Architectural Photographer since 2015 and has photographed properties and projects all over the United States.
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